Rogue One Concept Art by ILM

Industrial Light and Magic have posted a treasure trove of concept art from Rogue One and The Force Awakens to their website. Concept art is more commonly associated with the pre-production stages of a film’s development, but ILM, whose focus is visual effects and therefore post-production, provide art direction and design throughout all stages of a film. Their incredible, and quite beautiful Visual Development work during post production is essential to the successful completion of a film.

The examples shown span numerous scenes from Rogue One, and include work by a number of different artists and designers, including the superlative Yanick Dusseault (Dusso)

┬áSee the gallery of work here – http://www.ilm.com/visual_development/post-visual-development-rogue-one-star-wars-story/

Virtual sets designed by Lightwell for RFERL Farda

Virtual sets designed by Lightwell for RFERL Farda from Lightwell on Vimeo.

I designed, and prepared these virtual sets between March and June 2015. The studio and desk were already in place, but cameras and lights were being set-up as the design progressed.

The brief was to provide a design for a news studio within a newsroom. The client expressed an interest in some of my previous backdrop designs, and so I set about adapting these ideas into a three dimensional solution.

My initial concepts were for a predominantly white, high-key set, based upon the Radio Free Europe logo. Although they liked this look, the client already had a set for another show with a similar palette and wanted to differentiate between the two by employing a different colour scheme, as well as a different design. Taking my cue from the titles, I switched to a deep blue colour scheme, offset by orange detailing. Although I am pleased with the final colour scheme, I can’t help but ponder how great it might have been to explore that white/orange/grey palette that I used in the initial concepts.

The finished digital sets were prepared for use with the Newtek Tricaster, and accommodate both desk based, and standing presenter shots. Out of a relatively modest studio space, RFERL are now able to record news bulletins set within a generously proportioned set, and surrounded by a large, modern, newsroom space. A nice client to work with, and a fun project to design.

VFX breakdowns of some superb digital set extensions from CGEV

From the box office takings, it would appear that the FIFA vanity project United Passions isn’t going to be seen by many people. Given the revelations coming out of FIFA HQ recently (and for quite some time before then) that’s probably what the film deserves. However, French VFX studio CGEV put together some very nice digital sets for the finished film, and they at least deserve a viewing via the above show reel.