The latest trailer for Spectre has just been released this morning. There isn’t much new material in terms of sets or design being revealed, but it does expand on what we have seen in the earlier trailers, and in photos from the set. I definitely want to see more of that Spectre conference space that James Bond has snuck into. It’s not quite Ken Adam, but has great qualities, all of it’s own.
I know that there are some pretty impressive backdrops by Rutters in the film, and with production design by Dennis Gassner, and cinematography by Hoyte Van Hoytema, I am eagerly looking forward to it’s release in October.
The Radio Free Europe’s Farsi news re-launched today, from a brand new virtual set, designed and prepared by Lightwell.
The resolution isn’t ideal, but I have been promised grabs and clips. The broadcasts are recorded in a greenscreen studio equipped with the Newtek Tricaster. The only real, physical elements within the space are the desk, and the rostra (designed by others).
The sets were prepared in 3DS Max, and rendered with V-Ray, but the level of finish within the design isn’t really apparent from this video. Once I have the stills from the recording, I will be able to post these here and illustrate the quality of the lighting and materials.
There aren’t enough spy movies being made these days, so its good to see the latest trailer for Guy Ritchie’s Man From U.N.C.L.E. appear on the web yesterday.
The story is set in 1963 – Bond’s From Russia With Love came out in 1963 – which suggests an abundance of opportunities to play on the designs and style and costumes of that period. It will be interesting to see what Production Designer Oliver Scholl delivers. There isn’t anything like MFU on his CV, but Edge of Tomorrow was a fine looking film, so lets see.
Opportunities for digital sets and set extensions should be plentiful too, so I look forward to tracking the behind-the-scenes revelations from the various different effects houses that are involved.
One of the bigger projects that I have been working on so far this year, the ITV News General Election virtual set, in collaboration with the wonderful team at ITN. The design is an ambitious adaptation of the current ITV News set, originally launched in 2013. You don’t really get a sense of the extended spaces from this short promo, but we should expect to see plenty of revelaing shots from the Jib and Steadicam on Election Night, May 7.
I prepared the model and texture assets for the outer studio, which are imported into VizRT by ITN.
Appearing in the background of these UK Budget reviews from PWC, is a very small part, of a much larger overhaul of their set designs and virtual sets that I have been working on.
The full and official re-launch is scheduled to take place in the coming weeks and features multi-zone, digital sets for use with the Tricaster, along with physical table and desk designs being built by Scott Fleary.